Solveig lindroos

CONDUCTOR

ABOUT SOLVEIG

Solveig Lindroos is a Finnish conductor, born in 2002 in Leipzig and raised in Finland and Sweden in a family of musicians. Despite her young age, she has already built substantial experience across opera and symphonic repertoire.

Recent engagements include conducting Sibelius’ Kullervo with Orkestern Filialen (2025), Peter Maxwell Davies’ Eight Songs for a Mad King at the Åland Opera Festival (2024), and Bernhard Crusell’s Den lilla slavinnan for Opera BOX. She has served as assistant conductor on productions including Carmen at Opera Rogaland, Tosca and Die Zauberflöte at the Åland Opera Festival, Berlioz’ Symphonie fantastique with the Malmö Symphony Orchestra, and The Lord of the Rings with the Tampere Philharmonic and Tampere Theatre, where she also conducted nine sold-out performances.

Lindroos holds a Bachelor’s degree in conducting from the University of Stavanger, studying with Bjarte Engeset and Peter Szilvay, and is currently completing her Master’s degree at the Zurich University of the Arts under Christoph-Mathias Mueller. She has further refined her craft in international masterclasses with conductors including Eivind Gullberg Jensen, Martyn Brabbins, Johannes Klumpp, Jorma Panula, and Maria Badstue.

📍Solveig is based in Zurich, Switzerland


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CONTACT

Stephen Svanholm
Artist Manager

Email Stephen

REPRESENTATION

General Management with Svanholm Artists

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Current Highlights

August 2024
Åland Opera Festival

8 Songs for a Mad King / Peter Maxwell-Davies


December 2025
Orkester Filialen / Stockholm

Kullervo Symphony / Sibelius
Emma Kajander (soprano) , Jussi Vänttinen (baritone), Den Baccanaliska Kören


July 2025
Åland Opera Festival
(Assistant Conductor)

Die Zauberflöte / Mozart
Conductor: Alberto Hold Garrido

VIDEO

Coming soon…

Photo

Press

Dvořák / Cello Concerto

Janáček Philharmonic

"The final third movement was handled by Solveig Lindroos with a clear idea of its dramatic direction... Her conducting of the final movement had a natural sense of movement and a well-thought-out tempo organization. The concept did not slip into mere showiness, she built the finale with a clear architecture and emphasis on the clarity of the various layers."

Tereza Mrázová / klasikaplus.cz


Photo Credits: Portraits Marcus Boman

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